Kasdan’s ability to engage us in the obligatory exposition scene is evident early when Indy and his friend Marcus Brody (Denholm Elliott) meet with two military intelligence officers about the location of an old colleague of Indy’s – Abner Ravenwood – who might have an artifact – the headpiece of the Staff of Ra – that will reveal the location of the Ark of the Covenant, which the Nazis are eager to get their hands on. Indy and Marcus give the two men a quick history lesson on the
This segues to a nice little scene right afterwards at Indy’s home between the archaeologist and Marcus. He tells Indy that the
Kasdan also does a great job hinting at a rich backstory between Indy and his ex-love interest, Marion Ravenwood (Karen Allen). When they are reunited at a bar she runs in
Indy and Marion have another nice scene together after they’ve retrieved the
For me, Raiders is still the best film of the series. The pacing is fast but not as frenetic as today’s films. There are lulls where the audience can catch its breath and exposition is conveyed. In many respects, it is one of the best homages to the pulpy serials of the 1930s and a classic example of when all the right elements came together at just the right time. This film has aged considerably well over time and each time I see it, I still get that nostalgic twinge and still get sucked in to Indy’s adventures looking for the lost
Hey Ho! Let's Go! Listen up, kids. Rock 'n' Roll High School may have been released way back in 1979 but it still kicks the ass of any of those square MTV movies. Forget about Britney Spears and Mandy Moore's brand of bubblegum pop music and their equally bland movies – they don't hold a candle to the unbridled power of those punk rockers from
Riff Randell (P.J. Soles) is the ultimate Ramones fan. She's introduced gleefully bypassing
Riff dreams of meeting the Ramones and giving them a song she wrote entitled, "Rock 'n' Roll High School." She tries it out on her gym class causing all the girls in their skimpy gym outfits (ah, Corman and his exploitation tendencies) to dance around in what can only be described as the greatest gym class ever.
Riff even camps out for days to get tickets for the Ramones’ upcoming concert while her best friend, Kate Rambeau (Dey Young) covers for her by telling the nasty, shrewish Principal Togar (Mary Woronov) that various members of Riff’s family have died. Not surprisingly, Togar doesn’t fall for it and takes Riff’s ticket away, forcing the two girls to find another way to meet their heroes. Meanwhile, good girl Kate has a major crush on the school’s quarterback, the bland Tom (Vincent Van Patten), but he has his sights on the dynamic Riff.
The film was originally called Girls Gym, then it was changed to Disco High by Corman, who wanted to capitalize on the disco craze, but was (fortunately) persuaded otherwise by director Allan Arkush. Originally, the filmmakers wanted Devo and then Van Halen before approaching the Ramones. They finally settled on Rock 'n' Roll High School after Arkush convinced Corman that the Ramones were the perfect band for the film. To their credit, the Ramones knew that it was the right move. Guitarist Johnny Ramone was a huge fan of Corman’s films and when he heard that the producer was behind the film, he agreed to do it. And the rest, as they say, is history.
From B-movie veterans like Paul (Eating Raoul) Bartel and Mary (Death Race 2000) Woronov to newcomers (at the time), P.J. (Halloween) Soles and Dey (Strange Invaders) Young, the entire cast has a lot of fun spouting the film's wonderfully inspired cornball dialogue ("If you don't like it, you can put it where you the monkey puts the nuts," Riff says defiantly to Togar at one point) courtesy of National Lampoon magazine writers Richard Whitley and Russ Dvonch. I would be remiss without also mentioning the presence of Corman regular Dick Miller (as a cop) and Clint Howard who plays matchmaker for Tom. The Ramones are good sports and mumble their way through the film and truly come alive during the music sequences like the pros that they are. This film rightfully cements their reputation as legends.
Shot in only 15 days (which, when you think about it, is entirely appropriate for this kind of film), Rock 'n' Roll High School embodies the essence of the punk rock music that made the Ramones famous. The film is bursting with youthful energy, a dose of good ol' fashion anarchy, and is loads of fun to watch. These are also the ingredients that made Rock 'n' Roll High School a cult film. Corman cannily marketed it as a Midnight Movie in the hopes that the same people who flocked religiously to The Rocky Horror Picture Show (1975) would come to see the Ramones. It was a modest commercial success upon its initial release and actually garnered critical praise – very unusual for a cult film. Jay Scott, in his review for The Globe & Mail, wrote, “Neil Young might force parents to dam their ears; The Who could be invited to brunch; but The Ramones – The Ramones can strike four-chord terror into the hearts of good people everywhere. That’s what gives Rock ‘n’
While Rock 'n' Roll High School will appeal predominantly to fans of the Ramones (duh!), it is also one of those fun, goofy movies to invite friends over and watch with copious amounts of junk food on hand. This film is all about loving music and a particular band unabashedly. Riff gives herself up to the music and this translates into an enthusiastic celebration of the Ramones and the rowdy, rebellious spirit of rock ‘n’ roll music. Repeated midnight screenings, coupled with steady appearances on TV, have helped the film endure over the years so that is has become a beloved cult classic.
When The Bourne Identity (2002) debuted in theaters, audiences were hungry for a new kind of spy film. The James Bond movies adhered to ...