On June
17, 1972, Washington, D.C. police arrested five burglars breaking into the
Democratic National Committee headquarters at the Watergate Office Building. It
was later revealed that then-President Richard Nixon approved plans to cover up
the break-in. Washington Post
reporters Bob Woodward and Carl Bernstein were instrumental in bringing much of
this scandal to light with their chief anonymous source famously nicknamed “Deep
Throat” after the mainstream pornographic movie that was popular at the time.
This
scandal has been documented and dramatized numerous times, most famously in
Alan J. Pakula’s film, All the
President’s Men (1976), arguably the definitive take on this incident. In
1999, along came director Andrew Fleming and his screenwriting partner Sheryl
Longin with Dick, a comical movie
that pokes fun at the Nixon administration and the Watergate scandal as it
imagines “Deep Throat” being two naïve 15-year old girls. This was several
years before the real identity of this informant was revealed so much of the
movie’s humor comes from these unlikely teenagers helping take down Nixon.
Dick opens with a framing device of French Stewart
as a Larry King-type talk show host interviewing an aging Woodward (Will
Ferrell) and Bernstein (Bruce McCullough). Naturally, he asks them to reveal
the identity of “Deep Throat,” which of course they refuse while bickering like
an old married couple. The movie proceeds to riff on the famous opening credit
sequence of All the President’s Men,
poking fun at it with two teenage girls doing the typing and making a mistake
that is corrected with White Out.
Arlene
Lorenzo (Michelle Williams) and Betsy Jobs (Kirsten Dunst) are hanging out at
the Watergate Hotel where the former lives with her mother (Teri Garr) writing
a fan letter some pop rock star of the day late one night. While mailing said
letter they accidentally stumble into the Watergate break-in. The next day,
they encounter G. Gordon Liddy (a wonderfully twitchy Harry Shearer) during a
tour of the White House with their class and spot a piece of “toilet paper”
stuck to his shoe. It turns out to be the CREEP list featuring financial
pay-offs to the Watergate burglars. Naturally, the two girls are clueless as to
what the list means.
While
H.R. Haldeman (Dave Foley) is interrogating Arlene and Betsy (“When you think
of your President do you think friendly thoughts?”), President Richard Nixon’s
dog Checkers notices them and seeks attention from the two girls. To keep them
quiet, Nixon (Dan Hedaya) appoints them official White House dog walkers,
thinking that they are just a couple of dumb girls, but it allows them access
to the inner workings of the White House where they witness cover-up tactics
such as the shredding of important documents.
The
characters of Arlene and Betsy carry on in the proud comedic tradition of
movies such as Bill and Ted’s Excellent
Adventure (1989), Romy and Michelle’s
High School Reunion (1997) and Dude,
Where’s My Car? (2000), of two, not-so-smart or naïve best friends bumbling
their way through a series of misadventures. Michelle Williams and Kirsten
Dunst are well-cast as two teenagers that aren’t exactly dumb per se, but
rather inexperienced. Arlene is the smarter of the two and it is she who
decides to ask Nixon to put an end to the Vietnam War when Betsy’s perpetually
stoned brother (Devon Gummersall) gets drafted. The next day, Nixon announces
an end to the war! Dunst’s Betsy isn’t as smart but plays her part in helping
shape history. Williams and Dunst are believable as best friends that spend
most of their time together in their own little world. The movie tracks their maturation
from naïve teenagers to politically astute young women that help bring down a
presidency.
Veteran
character actor Dan Hedaya is a hoot with his wonderful caricature of Nixon as
a gruff bumbler who thinks that he’s manipulating these two girls when it is the
other way around. Hedaya is surrounded by impressive supporting cast of
comedians from Kids in the Hall and Saturday Night Live, including Jim
Breuer as White House counsel John Dean, Dave Foley as Haldeman, Ana Gasteyer
as Nixon’s secretary, and Harry Shearer as Liddy. Much as Steven Soderbergh
would do later with The Informant!
(2005), these comedians were not instructed to ham it up but instead play it
straight, which makes their performances funnier.
About an
hour in, scene stealers Will Ferrell and Bruce McCullough show up as the famous
Washington Post investigative
journalists, playing them as antagonistic partners with the Bernstein being the
vain one, occasionally checking his hair, and the Woodward as the more serious
one refusing to share any of his work. These comedy ringers’ exaggerated take
is in humorous contrast to the solemn view in All the President’s Men.
Much of
the humor in Dick derives from a
treasure trove of Easter eggs for history buffs as the infamous
18-and-a-half-minute gap in one of Nixon’s audio recordings is explained because
of Arlene and Betsy recording a message for the President with the former
professing her love for him at length. We also see Arlene and Betsy
inadvertently help alter history as they not only contribute to ending the war
but also aid in brokering peace between Russia and the United States. “I think
your cookies have just saved the world from nuclear catastrophe,” Nixon tells
them about the latter. Dean betrays Nixon and testifies against him after
Arlene and Betsy shame him for his involvement in the cover-up.
Director
Andrew Fleming and his co-screenwriter Sheryl Longin first started writing the
screenplay for Dick in 1993 where
they started with two teenage girls getting into all kinds of misadventures but
none them worked. Longin remembered an experience she had at the age of seven.
She was with her family on vacation at the same hotel as President Nixon in Key
Biscayne. She and two older friends threw ice cubes at Secret Service agents
from a seventh-floor window and was convinced that she would get in trouble.
Nixon subsequently canceled a planned speech by the hotel pool. She and Fleming
took that incident and came up with the idea of the girls being “Deep Throat.”
Initially
this was just a joke that they found amusing, “and we kept absorbing that, and
it just never went away. We just kept finding it amusing. I told people about
it. They said, ‘That’s hilarious. No one will ever make that movie.’,” Fleming
said years later. After the success of The
Craft (1996), he decided to use the buzz from that movie to make Dick, shopping it around Hollywood.
People thought it was funny but didn’t want to make it. Fortunately, Mike
Medavoy, head of Phoenix Pictures, who had worked with Fleming on Threesome (1994), agreed to make it with
Columbia Pictures.
They
initially sent the script to former Washington
Post executive editor Ben Bradlee asking if he’d play himself but he
declined. They also sent a copy to former John Dean who sent it back with a
note that read, “Good luck.” For the two leads, Fleming was impressed with
Kirsten Dunst in Interview with a Vampire
(1994) and cast her alongside Michelle Williams, hot off the popular television
show Dawson’s Creek.
Fleming
and Longin were worried early on that the movie was too irreverent but after
reading transcripts of Nixon’s infamous audio tapes they felt that “he was
irreverent. He violated us, lied to us. Did things that were illegal and
seriously, permanently damaged this country.” Longin said, “Our generation then
felt very cynical about politics. We became cynical and apathetic, and we
really feel it was because the earliest thing we knew about politics is that
they were lying and abusing power.”
Dick was well-reviewed by critics at the time. Roger
Ebert gave the movie three-and-a-half out of four stars and wrote, "Comedy
like this depends on timing, invention and a cheerful cynicism about human
nature. It's wiser and more wicked than the gross-out insult humor of many of
the summer's other comedies." In his review for The New York Times, Stephen Holden wrote, "In exaggerating
Nixon's mannerisms, Mr. Hedaya has created the year's funniest film caricature.
With his hunched shoulders, darting paranoid gaze and crocodile grimace, Mr.
Hedaya's Nixon is the quivering, skulking embodiment of a single word:
guilty." The Washington Post's
Rita Kempley wrote, "Dunst and Williams, with their giggly comic
chemistry, loopy charm and resourcefulness, can be universally
appreciated." In his review for the Los
Angeles Times, Kevin Thomas said of the filmmakers, "the core audience
they’re most likely hoping to connect with are Betsy and Arlene’s
contemporaries, who today would be hitting 40. Actually, ‘Dick’ is so sharp and funny it should appeal to all ages." Entertainment Weekly's Lisa Schwarzbaum
wrote, "Like Election and Rushmore, it’s a ‘teen’ comedy that
isn’t a teen comedy at all, but cops groovy teen spirit in the service of
something much more adult."
Dick uses The
World of Henry Orient (1964) as its primary template with two young girls bonding
over their mutual obsession with an older man that includes posters and scrap
books dedicated to him. Once they get to see behind the curtain, as it were,
they become disillusioned and mature both emotionally and politically, and
participate in his downfall. The movie eventually mutates into a paranoid
conspiracy thriller a la All the
President’s Men as the girls not only witness the last days of the Nixon
administration but help take it down while being followed and surveilled.
Dick is a fun movie but it is easy to see why it
tanked at the box office, not even making back its modest $13 million budget.
While it certainly can be enjoyed as a goofy comedy about the hijinks of two
girls, as it was marketed, you really need to be well versed in the Watergate
scandal and All the President’s Men
to fully enjoy the humor and inside jokes. This is what killed it commercially
as teenagers either didn’t know about it or didn’t care, which is a shame as Dick is an immensely enjoyable movie
that deserves a second lease on life.
SOURCES:
Gajewsk,
Ryan. “Dick Director on Challenges of
Making a Watergate Comedy and Whether It Could Be Done Today.” The Hollywood
Reporter. June 17, 2022.
Waxman,
Sharon. “Generation X’s Tricky Dick.” Washington Post. August 1, 1999.
This film is fucking hilarious. I just love its take on history. My favorite scene in the film involves Leonid Brezhnev and Henry Kissinger (played with such charisma by Saul Rubinek) having a discussion and then eating those pot-laced cookies as they sing "Hello Dolly". Rubinek singing along as Kissinger was the *chef's kiss*. It's so fucking silly but I love this film.
ReplyDeleteThat is a funny scene. For me, I love Will Ferrell and Bruce McCullough as Woodward and Bernstein riffing on their real-live prickly relationship.
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