Dignan (Owen Wilson) helps his friend Anthony (Luke Wilson) “escape” from a mental hospital (he doesn’t know that his friend was there voluntarily) and once they are on the road, Dignan reveals his 75 year plan for them. Part of it involves becoming criminals and they practice by robbing Anthony’s house before upgrading to a local chain bookstore with the help of their friend Bob (Robert Musgrave), who seems to have been included only because he has access to a car.
It becomes readily apparent that these guys are pretty lousy criminals. They may be adults but they still have a lot of growing up to do. Anthony’s kid sister, Grace, seems to realize this when she asks her brother, “What’s going to happen to you, Anthony?” She comes across as wise beyond her years, like one of the Glass children in a J.D. Salinger short story.
However, in Anthony’s case, he is looking for purpose in his life as he says at one point, “One morning over at Elizabeth’s beach house she asked me if I’d rather go water skiing or lay out and I realized that not only did I not want to answer that question but I never wanted to answer another water sports question or see any of these people again for the rest of my life.” He and Dignan come from privileged homes and are clearly rebelling against the boring lives they lead. They are looking for something else, which Anthony will only realize later on when he meets Inez (Lumi Cavazos).
Owen Wilson plays the first of what would become the prototypical
Bottle Rocket is an excellent reminder of what an exciting decade the 1990s were for American cinema with the likes of David Fincher, Paul Thomas Anderson, Spike Jonze, David O. Russell, and, of course, Wes Anderson emerging with fresh and exciting films that were all welcome relief from the safe, formulaic studio movies produced by Hollywood at this time.
Ever since Wes Anderson has been releasing special editions of his films through the Criterion Collection, fans have been hoping that Bottle Rocket would get deluxe treatment. The wait is finally over.
Disc one starts things off with an audio commentary by director/co-writer Wes Anderson and actor/co-writer Owen Wilson. They touch upon which scenes from the original short film survived into the feature. They also point out the re-shoots done after a disastrous test screening. Anderson and Wilson talk about how producer James L. Brooks helped them get Bottle Rocket made and taught them about screenwriting. It’s great to hear these two long-time friends talk about their first film.
On disc two there is “The Making of Bottle Rocket,” a 25-minute retrospective featurette that brings back key cast and crew members as they reflect on how the film came together and what they think of it now. There is footage from the short film and outtakes from the feature film. One gets the impression that James L. Brooks really mentored Wes Anderson and Owen Wilson. Mainly, it is just great to see everyone from Luke Wilson to Kumar Pallana reminiscing about making this film.
“Storyboards” is a collection of
“The Bottle Rocket Short” was shot in 1992 with only $4,000 on 16mm black and white film stock. Running only 13 minutes, it was shown at the Sundance Film Festival in 1993. Crappy copies have circulated on the Internet for some time and now fans can throw them away as this copy looks great. One can see the core ingredients of what would become feature film.
Also included are a collection of deleted scenes that include the source of Future Man’s name but mostly there are several scenes between Anthony, Bob and Dignan. There are some really entertaining and funny bits but one can see why this stuff was cut.
“Murita Cycles” features friend and collaborator of Wes Anderson and the
“Anamorphic Test,” Originally,
Finally, there is a collection of photographs by Laura Wilson, the