Screwball comedies don’t come more full of charm then I Married A Witch (1942), and this is
due in large part to the casting of Veronica Lake as a sexy sorceress who casts
a spell on a man descended from the Salem puritan that burned her at the stake
many years ago. The film was an adaptation of The Passionate Witch, a novel by Thorne Smith, and guided to the
big screen by French director Rene Clair who had a rocky Hollywood debut with The Flame of New Orleans (1941). I Married A Witch did well, but
unfortunately Lake burned her bridges in Hollywood and Clair couldn’t find any
screenplays that interested him. This does nothing to change the fact that the
film they made together is a comedic gem.
Before she and her father Daniel (Cecil Kellaway) are burned
at the stake for practicing witchcraft, Jennifer (Lake) curses her accuser
Jonathan Wooley (March) so that his descendants will be unhappy in love. After
an amusing montage depicting generations of Wooleys with failed love lives, we land
in the present as Wallace Wooley (March) is running for governor and engaged to
Estelle Masterson (Hayward), daughter of a wealthy newspaper magnate.
It is at this moment that a violent storm zaps an oak tree
that had been planted over Jennifer and Daniel’s ashes, its roots imprisoning
their souls. However, the damaged tree allows them to be free, taking on the
form of witches’ smoke. They stumble across Wallace and Jennifer is delighted
that the curse is still working. She decides to take human form in order to
torment Wallace in person. Veronica Lake’s first appearance on camera is quite
a sight to behold as Jennifer literally materializes out of the smoke in a
raging building fire.
Wallace is compelled to run into the building and rescue
her. Right off the bat, the chemistry between the two is apparent as Jennifer
acts seductively coy while Wallace is neurotically frantic – understandably so
as the building comes down around them. He seems to have it all – he’s being
groomed for governor and on the eve of being married to a beautiful, rich
woman. However, Estelle is bossy and he doesn’t seem all that thrilled with his
impending governorship. Wallace is a bit uptight and leads an ordered life only
for Jennifer to come along and throw a monkey wrench in his plans with her
cute, sex kitten voice and stunning beauty.
Myron Selznick, the agent for French filmmaker Rene Clair,
sent him the book The Passionate Witch
by Thorne Smith, which he read and thought that it could be made into a film.
He met Preston Sturges, they talked about the project and the legendary
director agreed to produce it. Paramount Pictures was looking for the right
film for Veronica Lake, an actress attracting a lot of buzz, some of it for her
trademark beautiful blond hair. They decided that I Married A Witch would be perfect for her and paired the actress
up with Clair.
Smith had died before completing the novel, which was
finished by a colleague. Very little of the book, which contained some fairly
raunchy passages for the time, made it into the film. Producer Buddy DeSylva
told Clair that screenwriter Bob Pirosh was assigned to work on the screenplay
and he would be given it when the script was finished. Clair was used to
writing and directing his own scripts and this news came as something of a
shock to him. However, the director ended up working with Pirosh on the script
and the submitted it to the studio, but they wanted considerable changes. Clair
and Pirosh rewrote it significantly before they were given approval to begin
filming. During principal photography, they continued to rewrite, sometimes
even the night before the next day’s shooting, in an attempt to sneak by their
version of the film by producer DeSylva.
Like so many screwball comedies, the carefree spirit in I Married A Witch triumphs over the
stodgy type. Of course, Jennifer has some help by putting Wallace under her
spell, but who could resist Veronica Lake’s considerable charms? This film is
one of her signature roles in an unfortunately all-too brief career in
Hollywood. She demonstrated quite a gift for not just physical comedy, but also
successfully bantering back and forth with Fredric March. She even sings! Rene
Clair’s film is a classic opposites attract screwball comedy albeit with a
supernatural twist. It tweaks the classic evil witch cliché by presenting one
who creates a curse only to succumb to her own love potion through a comedy of
errors.
The Criterion Collection recently released a brand new
edition on Blu-Ray. It is safe to say that I
Married A Witch has never looked better on home video with the transfer
looking fantastic. The filmic grain is intact and the print itself looks as
good as it ever has. The extras are slim with an audio interview by director
Rene Clair from the late 1950s. He talks about working on experimental films
vs. commercial ones. Clair speaks candidly about his career. Also included is a
trailer.
SOURCES
Dale, R.C. “Rene Clair in Hollywood.” Film Quarterly.
Winter 1970-71.
Thanks very much for another informative review, JD. Sounds like another reason for me to go region-free. Shame this disc is light on extras, but the transfer sounds terrific. Always loved this film, and your review has whetted my appetite to view it again.
ReplyDeleteA fine writeup, J.D.– I caught this last week as well and also found it to be incredibly charming and a lot of fun– I also enjoyed the kooky Guy Maddin essay included with the package, too.
ReplyDeleteSteve Langton:
ReplyDeleteYeah, a bit of a bummer about the lack of extras, but for an older film like that it must've been really hard to find anything. It is great to have the film on Blu-Ray, though.
Sean Gill:
Thanks! Yeah, Maddin's essay is quite amusing. I enjoyed it a lot.