With the phenomenal success
of The Avengers (2012), the next wave
of Marvel Comics movies were bound to feed off of its good will and this was
certainly true of Iron Man 3 (2013),
which was a massive hit. Next up is Thor:
The Dark World (2013), the sequel to 2011’s Thor, which introduced audiences to the version of the Norse god
that Stan Lee, Larry Lieber and Jack Kirby created back in the early 1960s in
the pages of Journey into Mystery. I
was never a big fan of the character, but director Kenneth Branagh and his
screenwriters Ashley Edward Miller, Zack Stentz and Don Payne did an excellent
job of introducing Thor and his world by juxtaposing his adventures on Earth
with the crisis he faced on Asgard, the otherworldly realm where he lives.
Branagh maintained a delicate balancing act between remaining faithful to the
spirit of the source material and making it cinematic all the while giving the
proceedings a certain Shakespearean flair. The end result was very entertaining
and engaging movie. With this sequel would Marvel be able to replicate the
quality of the first movie and build on it?
The Dark World takes place after the events of The Avengers. Thor’s adopted brother
Loki (Tom Hiddleston) has been banished to the dungeons for eternity while Thor
(Chris Hemsworth) and his friends and fellow warriors Volstagg (Ray Stevenson),
Frandral (Zachary Levi) and Sif (Jaimie Alexander) are cleaning up Loki’s mess
by bringing order to the Nine Realms in an exciting battle sequence that not
only does a nice job of re-introducing these characters, but ends on an amusing
note.
The people of Asgard are
enjoying a rare interlude of peace, but Thor still thinks of Dr. Jane Foster
(Natalie Portman), the beautiful astrophysicist he left back on Earth. She has
been unsuccessfully trying her hand at dating while her colleague Dr. Erik
Selvig (Stellan Skarsgard) has lost his marbles running around Stonehenge naked,
babbling about the Convergence, a rare occurrence that would see all Nine Realms
align. While checking out a strange gravitational anomaly, Jane is transported
into another realm where she’s infected by Aether, a substance that a race
known as the Dark Elves tried to use eons ago in an attempt to unite the realms
and plunge the universe into darkness. Jane’s discovery has awoken them from
suspended animation and their leader Malekith (Christopher Eccleston) is ready
to renew his war against the Asgardians. Thor realizes that something is not
right with Jane and takes her to Asgard and together they deal with the Dark
Elves threat.
The Dark World does a nice job of upping the stakes
considerably as Asgard is directly threatened as is Thor’s family, which makes
it even more personal for our hero. Loki is back and once again gets the lion’s
share of the juicy one-liners and scenes to steal. It’s a plum role that Tom
Hiddleston clearly relishes playing. As he did in Thor, Chris Hemsworth maintains the right mix of cocky swagger and
righteous heroism while playing well off of the always mischievous Loki.
Hemsworth brings a steely determination and a physicality that is ideal for
Thor. While the film moves at a brisk pace and is almost never dull, the scenes
between Hemsworth and Hiddleston are easily the best parts as the rapport
between the two actors, that has been cultivated over three movies now, is a
considerable part of The Dark World’s
charm.
Much like in Thor, Natalie Portman’s Jane is often
relegated to the sidelines, due to her lack of superpowers, despite a
half-hearted attempt to drum up some jealousy for her affection for Thor from
Sif. However, after being a damsel in distress for two-thirds of the movie, she
is given a lot to do during the action-packed climax, which thankfully redeems
Portman’s character somewhat.
There is a bit more humor in The Dark World, which offsets the dark
intensity of the epic struggle that is waged throughout, and this is due in
large part to Kat Dennings and Stellan Skarsgard who reprise their roles as
Jane’s colleagues. The former provides her trademark dry sarcastic wit while
the latter hams it up as a man who treads the line of sanity based on his
experiences in The Avengers, but, as
it turns out, might not be as crazy as everyone assumes.
The hiring of frequent Game of Thrones director Alan Taylor was
an excellent choice as he brings a decidedly grittier edge to The Dark World and also applies a
refreshingly straightforward approach to the action sequences. He keeps the
movie’s pace brisk, but knows when to slow things down for a breather. As much
as I thoroughly enjoyed Thor, I think
that The Dark World edges it ever so slightly
because I felt more invested in Thor’s struggle this time out because there was
more at stake on a personal level for the character what with his family personally
attacked in a way that really hit home more than anything in the first movie. I was also pleasantly surprised at the amped
up science fiction element with spacecraft flying around blasting lasers at
each other and how this was seamlessly blended in with the more traditional
mythological aspects. Once again, Marvel delivers a crowd-pleasing piece of
rousing entertainment with a successful batting average we haven’t seen the
likes of since Pixar’s glory days.
I enjoyed the comedy in it, I wish they gave more roles to Katt Dennings, she's a real looker, unfortunately she aint getting much in the way of roles, well at least she's on this one which is a huge film, no doubt on its road to making kajillions. I need to see this one again to truly absorb it but that scene with the whole dimensional traveling...awesome stuff. Loved it whenever the hammer was flying around...and that cliffhanger ending oh MY GOD! I've been waiting for that storyline since I first read the Infinity Gauntlet way back in the 90's! Looking forward to those Infinity Gems and Thanos getting together!
ReplyDeleteGlad you liked it. I thought it was very well done as well. I agree with you about Kat Dennings. I think because she does that sitcom it doesn't allow her to do many movies.
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