Lane was born in
Two of her very early roles stand-out in my mind: Touched by Love (1980) and Ladies and Gentlemen, The Fabulous Stains (1981). Both films show her raw talent and ability to completely disappear into a character. In the case of the former, you really believe that she has a cerebral palsy. Lane delivers an absolutely heartbreaking performance as a girl who becomes a pen pal with Elvis Presley (based on a real life story). There is no obvious mugging for the camera or over-exaggerating mannerisms. In the latter, she plays a proto-typical riot grrl with just the right amount of punk rock attitude and charisma that you believe she could garner a loyal following of supporters.
The Fabulous Stains turned out to be a good warm-up for Lane’s first adult role as Ellen Aim in Walter Hill’s pulpy action film Streets of Fire (1984). By the time she did this film, the young actress had already done more than ten films. Lane described her character, at the time, as, “the first glamorous role I’ve had.” She looks beautiful and inhabits her rock star character with complete conviction. She has all the moves down cold as an iconic rock star and looks great on stage. Lane has that retro look and she would have been a big star in
Around this time Lane also worked with Francis Ford Coppola for the third time on The Cotton Club (she appeared previously in his S.E. Hinton double bill, The Outsiders and Rumble Fish). She turned down starring roles in Splash (1984) and Risky Business (1983) to appear in Streets of Fire and The Cotton Club, which were high-profile, big budget
Lane took three years off and returned to the business with three unremarkable films before getting all kinds of positive notices for her role in the Lonesome Dove television mini-series. She is wonderful as the beautiful prostitute Lorena. Her character is more than just eye candy – she has the courage and the tenacity to stay with the cattle drive even when her beau leaves her to go off gambling. Lorena dreams of going to
During the 1990s, Lane alternated between conventional studio films (Judge Dredd and Murder at 1600) and independent films (My New Gun and Gunshy). Her strongest film to come out of this decade was 1999’s A Walk on the Moon opposite Viggo Mortensen. The film’s director Tony Goldwyn and producer Dustin Hoffman wanted Lane for the role of housewife
Lane delivered the best performance of her career as a housewife who has a steamy, adulterous affair with a mysterious book dealer in Unfaithful (2002). There’s the much-praised scene of Lane’s character riding the train after having her first romantic tryst with her lover intercut with the actual encounter. The range of emotions that play across her face as she replays it over in her mind is incredible to watch. She smiles to herself and her hand absently runs across her chest. Her mood darkens ever so gradually before lightening again as she smiles and then breaks out into a laugh. Finally, her face takes on a slightly sad expression. In only a few moments, she has run a whole gamut of emotions and pulls it off masterfully.
Lane earned widespread praise for her performance. Entertainment Weekly film critic Owen Gleiberman awarded the film an "A-" grade and praised her for delivering, "the most urgent performance of her career, is a revelation. The play of lust, romance, degradation, and guilt on her face is the movie's real story.” She received Academy Award and Golden Globe nominations. Unfortunately, she didn’t win either and went on to pleasant if not predictable fare like Under the Tuscan Sun (2003) and Must Love Dogs (2005). The former features Lane as a professor of literature who divorces her husband after learning of his affair. She ends up going on a ten-day trip to
In recent years, Lane was given the opportunity to flex her dramatic chops with a strong turn in Hollywoodland (2006), a true-life murder mystery about actor George Reeves. While doing publicity for Nights in Rodanthe, a romantic film reuniting her co-star Richard Gere (they were in The Cotton Club and Unfaithful together), she expressed dissatisfaction with the types of roles she’s been offered, what she would like to do, and hinted at possible retirement. I, for one, hope that she changes her mind and gets offered some stronger roles in better films. As everyone knows,
Here are a few fan sites for all things Diane Lane:
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You sold me when you reminded me of Touched by Love. I remember seeing that, and totally believed the actress had cerebral palsy. She was also great in Streets of Fire. Let's hope she starts landing worthy roles soon.ReplyDelete
Love the Diane Lane tribute!ReplyDelete
The unseen (for me) Diane Lane film that has burned the proverbial hole in my pocket is CATTLE ANNIE AND LITTLE BRITCHES (1981), which was dumped by Universal despite good reviews for director Lamont Johnson (a cult director if there ever was one) and stellar cast (Amanda Plummer, Scott Glenn, Burt Lancaster, Rod Steiger, John Savage). Not on home video.
Wow, referencing SIX PACK? I don't think I've seen that film since it first came out on home video. Altho, it pops up on cable very so often.
I agree, it's nice to see that she's managed to escape direct-to-video hell and reinvigorated her career. Thanks for stopping by!
I really dig TOUCHED BY LOVE. A very underrated film that is not easy to come by and I wish it would get a DVD release some day. She is so good in that one. And of course, I love STREETS OF FIRE...
Thanks for the kind words! I have not heard of nor seen CATTLE ANNIE AND LITTLE BRITCHES. Great cast, though! Love to track this sucker down.
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Great write-up on Diane. I've loved her since I was growing up. She's been a favorite of mine for many years. It's been fantastic that she's had such a long lasting and successful career. I think her talent and beauty have both grown over the years.ReplyDelete
I could agree more with you in regards to Diane. I've had a crush on her since seeing her in THE OUTSIDERS many years ago.
Thanks for the kind words!
Gotta love Diane Lane. And I totally agree about UNFAITHFUL...it's a really astonishing and pretty daring performance. I hope she does something more like that again rather recycled junk ike MUST LOVE DOGS and NIGHTS IN RODANTHE. She can do so much more!ReplyDelete
I couldn't agree more. And, from recent interviews that I've read with her, I think that she's fed up doing films like MUST LOVE DOGS as well. I am really curious to see her in the upcoming KILLSHOT... if it ever gets released (and not just in Phoenix). We shall see.