"...the main purpose of criticism...is not to make its readers agree, nice as that is, but to make them, by whatever orthodox or unorthodox method, think." - John Simon
"The great enemy of clear language is insincerity." - George Orwell
Tuesday, November 2, 2010
DVD of the Week: Paths of Glory: Criterion Collection
It is France, 1916 and the country is mired in World War I against Germany. It is literally a series of battles for inches with each side trying to get every bit of real estate that it can. Two French generals (Adolphe Menjou and George Macready) debate about taking a piece of land known as the Anthill. The one wants the other’s soldiers to take it in an unrealistic amount of time but is convinced to do so anyway. Kubrick soon immerses us in the trenches and we see the appalling living conditions – mud, cramped quarters and the sounds of gunfire and bombs all around. We see the wounded and even one soldier suffering from shellshock.
The soldiers, led by Colonel Dax (Kirk Douglas), are given a suicide mission: take the Anthill with no support and with severely depleted numbers with conservative losses estimated at half their forces in the ensuing battle. Kubrick’s depiction of the battleground itself is that of a desolate area of dirt decorated with large craters created by bombing. Wreckage and dead bodies litter the landscape. The battle sequence where Dax and his men attempt to take the Anthill is as harrowing and realistic as the D-Day sequence in Saving Private Ryan (1998) only with less money and many years before. Three soldiers (Ralph Meeker, Timothy Carey and Joseph Turkel) are selected from the battalion that failed to take the hill, put on trial for cowardice and sentenced to be executed by a firing squad. In the hearing, Dax defends the men against the pompous General Mireau (Macready).
Kubrick does a fantastic job showing the vast disconnect between the generals and the soldiers in the trenches. It becomes readily apparent that the military leaders have no idea what is going on in the battlefield and expect the impossible from their soldiers. The director has crafted a fascinating anti-war film with a trademark intense performance from Kirk Douglas. This is an angry film that rails against the hubris and arrogance of military leadership and how disposable the average foot soldier is in their eyes. It is a theme that is sadly relevant today. Paths of Glory juxtaposes the brutality of war with the farce that is the subsequent court case with Dax as the lone voice of reason in an unfair world. Kubrick is often described as a cold and calculating filmmaker but what stands out in this film is the humanity of the three soldiers doomed to be executed for completely arbitrary reasons. Kubrick ends the film on an emotional and poignant moment that is incredibly moving and lingers long after the end credits.
There is a brief audio interview conducted with Stanley Kubrick from 1966 about the origins of the film.
Also included is a television interview with Kirk Douglas on the popular British talk show Parkinson in February 1979. The actor speaks with his usual candor and enthusiasm, proving to be quite a lively subject. He talks about his career and, of course, Paths of Glory.
There is an interview with producer James B. Harris and he talks about the film and working with Kubrick. He also speaks about how the film came together, done independently and then presented to a studio to back financially. Harris provides fascinating detail on the genesis of the film as well as various other aspects of production.
Also included is an interview with Kubrick’s wife, Christiane. She talks about how meeting Kubrick for the first time and being cast in the film. She actually picked the song she sung in the film. Christiane offers her impressions on her husband’s directing style.
There is an interview with Kubrick’s long-time executive producer Jan Harlan. He talks about the themes in Paths of Glory and in Kubrick’s films in general.
Also included is an excerpt from a French news program about World War I French soldier Theophile Maupas whose tragic story partly inspired Kubrick’s film.
Finally, there is a theatrical trailer.