Badlands (1973) was an auspicious
debut from Terrence Malick. Based loosely on the real-life killing spree of Charles
Starkweather and his girlfriend Caril Ann Fugate in 1958, Malick made his film
independently and for little money. The end result is a doomed lovers on the
run road movie that juxtaposes the almost fairy tale voiceover narration by
Holly (Sissy Spacek) with the sociopathic actions of her boyfriend Kit (Martin Sheen).
The film would also demonstrate Malick’s uncanny ability to capture the beauty of
rural landscapes and contrast them with the violent impulses of its
protagonist.
Kit works as a trashman in a sleepy small-town
in South Dakota. One day, after work he meets Holly on the front lawn of her
house. It is one of the more unusual courtships as we don’t see too many
displays of affection between them or declarations of love, but mostly because
Holly tells us so in her narration. They gradually fall in love much to the
chagrin of her strict father (Warren Oates) who doesn’t approve of Kit. After
the two men have a confrontation, Kit and Holly go on the run.
Martin Sheen and Sissy Spacek, early on in their
respective careers, deliver impressive performances. On the surface, Kit seems
like a nice enough guy, but Sheen is able to turn this off on a dime to show
the dispassionate killer that lurks under the James Dean good looks. It would
be easy to dislike Kit, based on all the bad things he does, but it is Sheen’s
natural charisma that makes the character so interesting to watch. Initially,
Spacek plays Holly as something of an innocent, but she explains in her
voiceovers that she had plenty of opportunities to leave or turn Kit in. There
is a certain naiveté about Holly and she sees the older Kit as someone wiser in
the ways of the world then herself.
Kit and Holly’s escape into the wilderness would
mark the beginning of Malick’s preoccupation with nature. He is fascinated by
the beauty of it and the wonder it represents, often juxtaposing the
environment with the ugliness of human nature as he does in Badlands with Kit’s casual disregard for
human life. Malick manages to de-glamorize what could have been a lurid tale by
showing Kit and Holly enduring significant stretches of doing every day things
or nothing at all. It is like the moments of violence punctuate the otherwise
banality of their lives. Malick does a nice job of making the most of his
meager budget, filming on location to give Badlands
a more expansive feel.
Badlands has become an influential
film, inspiring countless like-minded efforts. It would also foreshadow
Malick’s subsequent film Days of Heaven
(1978), which examines forbidden love with a rural landscape as its backdrop.
It was an excellent start to an illustrious career of one of the most unique
filmmakers to come out of America.
Special Features:
“Making Badlands”
is a 42-minute retrospective documentary featuring actors Martin Sheen and
Sissy Spacek and production designer Jack Fisk. All three share their initial
impressions of Malick. Sheen and Spacek spent weeks rehearsing and improvising
little scenes without seeing a script! The two actors recall how much it meant
to them at the time to be starring in a film so early in their careers. Fisk
talks about how the characters affect the sets he designs and vice versa. This
is an excellent look at how the film came together.
There is an interview with producer Edward
Pressman. Influences by the French New Wave, he wanted to work with filmmakers
interested in making artistic endeavors and found it with Malick. He talks
about the challenges of funding Badlands
and how much he learned from the experience so early in his career.
Also included is an interview with editor Billy
Weber. He touches upon Malick’s working methods and the challenge of editing
the film because of his inexperience at the time. He claims that the use of
voiceover in Francois Truffaut’s The Wild
Child (1970) influenced Malick’s use of it in Badlands.
There is a 1993 episode of the television series
American Justice that focused on
Charles Starkweather, a teen rebel who ran off with his girlfriend for nine
days and killed ten people during that time. This extra provides a nice
overview of the people that inspired the main characters in Badlands.
I have this one on my radar, I will be watching it soon, but it sounds like it has many similarities with Stones Natural Born Killers.
ReplyDeleteI love, love, love this movie.
ReplyDeleteAny comments that I make would just be echoing things I have already said--and I can't say it any better than myself--so I'll just point you toward MY REVIEW of the film, and hope you'll give it a read.
And to Francisco: There ARE many similarities between BADLANDS and NATURAL BORN KILLERS, but it's actually closer in tone to TRUE ROMANCE--all three are inspired by the Starkweather case, and NBK and TR started out as one single Tarantino script, but NBK got, well...Stoned. All three make up a sort of themed triptych, but I believe BADLANDS is the best of the three, and deserves a home on every movie fan's shelf.
--J/Metro
Jonny Metro:
ReplyDeleteGood call on the roots of BADLANDS, NBK and TRUE ROMANCE. And Tarantino was most definitely influenced by Malick's film, big time and this is esp. evident in TRUE ROMANCE.
I quite enjoyed your review, btw. Left some comments and also added yer blog to my blogroll.